Denim On Denim

Drinking Games
Insider Trading (On Outsider Art)
Haunt This House
Party Like It's 2012
Write Me A Myth
Bookish
Bodies Of Fiction
Model City
End Times
Family Night
Balloon Menagerie
Hello, Cruel World

Denim On Denim

Denim on Denim will be released on April 13, 2010(Young Soul Records /EMI). Young Soul Records is the most recent label to join a decorated EMI Label Services roster alongside the likes of: Arts & Crafts, Hidden Pony, Secret City, Ultra Records, Century Media and Side One Dummy - all utilizing EMI Music Canada’s distribution and services reach.

Denim on Denim was (painstakingly) recorded in Regina in the back of a local dance studio. Staying true to their objective of documenting spacious and concise pop songs meant omitting dozens of ideas and tracks from the final mixes. Yet, the record is still teeming with instrumentation - guitars and keys, horns and synths, and (of course) the occasional feedback loop. Denim on Denim was produced by Library Voices and Orion Paradis and features guest appearances from co-prairie musicians and friends in Woodpigeon, Rah Rah, Sylvie, Northcote, as well as Andy Shauf. Right down to the die-cut album packaging - the exterior cut-away lightening bolt revealing the denim inner sleeve, demonstrates the attention to detail that extends to every corner of their work.

As with their previous EP, Denim On Denim is rich with cultural reference. Stan Getz and Fyodor Dostoevsky make cameos in songs about late night escapades. Similarly, Haruki Murakami, Charles Bukowski, Dennis Wilson, and Gram Parsons (among others) weave their way through tales of indulgence, promiscuity, modern living, and the forthcoming apocalypse. This is feel good music for an audience with a conscience (albeit likely, a guilty one). Lead single from Denim on Denim - Drinking Games is available at http://www.myspace.com/thelibraryvoices

The bands unabashed celebration of the term 'pop music' has at times, been met by confusion, leading some to expect bubble gum or auto-tuned FM shine. Although apologetic for the misunderstanding the band stands behind the term. They could have called it, “Post-Twee-Power-Folk-Nu-Beach-LoFi-Modern-Indie”- but they didn't. It's pop. Just pop. You know, like The Stranger, The Zombies, and Videodrome.